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ετυμολογία

Τι (ποιος) είναι Vibrio comma - ορισμός

SMALL INTERVAL IN PYTHAGOREAN TUNING BETWEEN TWO ENHARMONICALLY EQUIVALENT NOTES SUCH AS C AND B♯

Ditonic comma; Comma maxima; Comma maximum; Comma of Pythagoras; Comma of Boethius; Ancient comma; Comma syntonum; Comma ditonicum; Major comma of Kollmann; Kollmann's major comma; Pythagoras’s comma

syntonic

A SMALL MUSICAL INTERVAL WITH PITCH RATIO 81:80

Didymic comma; Didymus comma; Comma of Didymus; Diatonic comma; Syntonic; Ptolemaic comma; Chromatic diesis; Comma drift

[s?n't?n?k]

¦ adjective Psychology responsive to and in harmony with one's situation and personality.

Origin

C19: from Ger. Syntonie 'state of being syntonic' + -ic.

Serial comma

PUNCTUATION STYLE

Harvard comma; Oxford comma; Harvardian Comma; Harvardian comma; Editorial comma; The oxford comma; Serial Comma; Oxford Comma; Stanford comma; Penultimate Comma; Series comma; Oxford commas; Serial commas; Serial semicolon; Series semicolon; The Oxford comma

In English-language punctuation, a serial comma (also called a series comma, Oxford comma, or Harvard comma) is a comma placed immediately after the penultimate term (i.e.

https://en.wikipedia.org/wiki/Serial_comma

Oxford comma

PUNCTUATION STYLE

Harvard comma; Oxford comma; Harvardian Comma; Harvardian comma; Editorial comma; The oxford comma; Serial Comma; Oxford Comma; Stanford comma; Penultimate Comma; Series comma; Oxford commas; Serial commas; Serial semicolon; Series semicolon; The Oxford comma

¦ noun another term for serial comma.

Origin

a characteristic of the house style of Oxford University Press.

Βικιπαίδεια

Pythagorean comma

In musical tuning, the Pythagorean comma (or ditonic comma), named after the ancient mathematician and philosopher Pythagoras, is the small interval (or comma) existing in Pythagorean tuning between two enharmonically equivalent notes such as C and B♯ (Play ), or D♭ and C♯. It is equal to the frequency ratio (1.5)¹²⁄2⁷ = 531441⁄524288 ≈ 1.01364, or about 23.46 cents, roughly a quarter of a semitone (in between 75:74 and 74:73). The comma that musical temperaments often "temper" is the Pythagorean comma.

The Pythagorean comma can be also defined as the difference between a Pythagorean apotome and a Pythagorean limma (i.e., between a chromatic and a diatonic semitone, as determined in Pythagorean tuning); the difference between 12 just perfect fifths and seven octaves; or the difference between three Pythagorean ditones and one octave (this is why the Pythagorean comma is also called a ditonic comma).

The diminished second, in Pythagorean tuning, is defined as the difference between limma and apotome. It coincides, therefore, with the opposite of a Pythagorean comma, and can be viewed as a descending Pythagorean comma (e.g. from C♯ to D♭), equal to about −23.46 cents.

https://en.wikipedia.org/wiki/Pythagorean comma